|
Town councils in all areas of study is for students to take lessons from a master. Unfortunately for those who wish to write fiction -- either in pieces or stories -- the most famous and the highest authority in the art of fiction decision was long dead. Few would argue Shakespeare's supremacy in the art of creating a fascinating history. And since he never wrote, "Will Shakespeare 'Guide to Writing Great Stories', if we want to learn from this master, we must learn from his works.
The following would seem to be the cardinal elements of the Bard would probably include in its guide to editors: 1) You must have a story to tell . 2) Your text must submit extraordinary people; not impossible, but whose circumstances and the characters lives are in a position to create a powerful interest. 3) Your story must be carefully prepared and said with a skill. 4) The amosphere of real human life must be so ably hung on all the scenes that we feel it, breathe, and live in it while we read. 5) Each element of your story is to be submitted to the sources of human passion, aspiration, credulity, fantasy, faith or morals. Nothing in the wrong, it must be universal to the human possibilities, but each dramati crisis must be running on some extraordinary combination. The course should not be dominating. 6) It is imperative dramatic vision, without which the novel is a simple tale, the drama just a game, paint a transcript lifeless, the music ringing a sense, the sculpture of a form without proposal. 7) Last comes style, which is the ultimate seal of parsonality engineering. There is not as a materpiece without the presence of this indestructible conservative.
About the author:
For most articles, advice and resources for authors and publishers, visit publishingcentral.com |